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Mr. John Adcox

jadcox@parishepiscopal.org

Office: 4027

Phone: (972) 239-8057 x 2369

 

 

 

 

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English I:        Week of Trimester I Exams

 

REVIEW FOR EXAM

NOTE:  Add the following information to your exam review sheet:  Add Steinbeck, Whitman, and Emerson vocabulary to test review sheet.  Trimester I English I Exam Review Sheet is below:

 

Trimester Test Review: English I

 

The exam will include the following works:

 

John Steinbeck:  Of Mice and Men

Robert Burns:  “To a Mouse”

Abraham Lincoln: “Second Inaugural Address”

Walt Whitman:  selected works

Emily Dickinson: selected works

Ralph Waldo Emerson: Nature excerpt

Mark Twain:  The Adventures of Huckleberry Finn

Bret Harte:  “The Luck of Roaring Camp” and “The Outcasts of Poker Flat”

Hombre film

 

We have studied Romanticism and Realism, with some reference to Regionalism and Transcendentalism.  We have discussed a number of key ideas that relate to the various works, one idea in particular being “the American Dream.”  Correctly incorporating literary terminology into your writing can benefit you when writing about literature.  Of even greater benefit is to write according to the paragraph and essay patterns we discussed and practiced in the “Writing Boot Camp” at the beginning of the trimester.  Along with these ideas, the literary terms related to diction, syntax, and imagery may be part of the exam and should become a part of your own writing. 

 

For this test you do not need to “recite” the biographical details of a particular author’s life.  However, knowing general time periods and social climate is necessary.

 

For Objective questions, expect multiple choice, matching, etc., asking about significant specific items.

 

For the short answer questions, expect character names, significant settings/events, relevant and important quotations from the works.

--First, give context—relate the idea to the greater part of the story.

--Then, relate the item to the bigger themes discussed in class.

--Include anything else that you think is important.

 

For the essay:

Consider the following:

--Make a thesis.  You should have an introductory paragraph—if you choose, this may simply be your thesis.

--Is your thesis focused, relevant, and opinionated—or just restating plot?

--Will you stick with this thesis for your essay, or stray from it?

 

-Assertions

--act as miniature thesis for the paragraph.

 

-Examples

-If you don’t have the book or story to quote from, you should include specific points.

 

Explanations

-After you state your evidence, you should relate it to your thesis.

-Concluding Sentence

-This sentence restates the assertion, perhaps adding more clarity.

-Avoid passive voice.

-Stay in present tense.

-Strive for clarity.

 

-Conclusion

-Recap your thesis and ideas.

-Why does this essay matter?

 

For each of the works from the list at the top of this review sheet, you should consider the plot, the characters, the themes, the literary devices, the background, and how it reflects the time in which it was written.  Keep in mind the questions and definitions from the handout for the Bret Harte stories as a frame for discussing other literary works.

 

The test will be comprehensive and representative of the first trimester’s curriculum.  The test will consist of short answer questions and essay questions.  Any multiple choice possibilities will be representative of information from the trimester’s studies.  The testing schedule allows for two hours for the exam, so plan to write at least one major essay along with around ten short answer type questions, plus the multiple choice possibilities.  The short answer questions will be more specific than the essay questions.  For the essay questions, I will expect you to draw on more than one work listed above to answer the question.

 

So how should you study?  I suggest reviewing all of your notes, handouts, and completed assignments.  Consider how the ideas from class notes and handouts relate to the literary works.  As you review, ask yourself possible questions that your notes generate.  Consider the themes and note any similarities.  Can any characters be compared and/or contrasted? (English teachers love this type of question.)  Do you see literary devices such as irony, foreshadowing, etc.?

 

You will need to take the exam in pen (black or dark blue ink only, please).  I will provide the exam and the paper.  You will take the exam without the benefit of notes, handouts, or the literary works.

 

We will go into more detail on review day.  Come with prepared questions to make the process go more efficiently.

 

 

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English II:       Week of Trimester I Exam

 

REVIEW FOR EXAM

 

Trimester Test Review

English II – 10th Grade – Adcox

 

To prepare for your exam, you should review the following works.

 

  • The Epic of Gilgamesh
  • Antigone
  • The Iliad, Books 1, 6, 9

               

For each of these works you should consider the plot, the characters, the themes, the literary devices, the background, and how it reflects the time in which it was written.

 

The test will be comprehensive and representative of the first trimester’s curriculum.  The test will consist of short answer questions and essay questions.  Any multiple choice possibilities will be representative of information from the trimester’s studies.  The testing schedule allows two hours for the exam, so plan to write at least two major essays along with around ten short answer type questions, plus the multiple choice possibilities.  The short answer questions will be more specific than the essay questions.  For the essay questions, I will expect you to draw on the works listed above to answer the question.  For example, I might ask you to discuss how particular characters in the three works can be considered tragic heroes and have you discuss the similarities and differences.

 

So how should you study?  I suggest reviewing all of your notes.  Set aside one day for each work.  Consider also how the ideas from class handouts relate to the longer works.  For example, the handouts on archetypes, the Greek Gods, the Royal House of Thebes, and Greek theater pertain in some ways to Antigone and The Iliad.  As you review, be aware of which of the Greek gods are especially relevant to Antigone and which to The Iliad.  The handouts on the epic and archetypes pertain to The Epic of Gilgamesh.  The handout on Literary Terms relates to all of the works as well as your own writing process.

 

As you review, ask yourself possible questions that your notes generate.  Consider the themes and note any similarities.  Can any characters be compared and/or contrasted?  (English teachers love this type of question.)  Do you see literary devices such as irony, foreshadowing, pathos, etc.?  Can you identify epic characteristics and the characteristics of the epic hero?

 

You will need to take the exam in pen (black or dark blue ink only, please).  I will provide the exam and the paper.  You will take the exam without the benefit of notes, handouts, or the literary works.

 

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Notes on Tragedy and the Tragic Pattern 1

 

The first great theorist of dramatic art was Aristotle (384-322 B.C.); whose discussion of tragedy in Poetics has dominated critical thought ever since.  A very brief summary of Aristotle’s view will be helpful.* 

                A tragedy, so Aristotle wrote, is the imitation in dramatic form of an action that is serious and complete, with incidents arousing pity and fear wherewith it effects a catharsis of such emotions.  The language used is pleasurable and appropriate throughout to the situation in which it is used.  The chief characters are noble personages (“better than ourselves,” says Aristotle), and the actions they perform are noble actions.  The plot involves a change in the protagonist’s fortune, in which he usually, but not always, falls from happiness to misery.  The protagonist, though not perfect, is hardly a bad person; his misfortunes result not from character deficiencies but rather from what Aristotle calls hamartia, a criminal act committed in ignorance of some material fact or even for the sake of a greater good. A tragic plot has organic unity: the events follow not just after one another but because of one another.  The best tragic plots involve a reversal (a change from one state of things within the play to its opposite) or a discovery (a change from ignorance to knowledge) or both.

               

                1.  The tragic hero is a man of noble stature.  He has a greatness about him.  He is not an ordinary man but one of outstanding quality.  In Greek and in Shakespearean tragedy, he is usually a prince or a king. 

                2.  The tragic hero is good, though not perfect, and his fall results from his committing what Aristotle calls “an act of injustice” (hamartia) either through ignorance or from a conviction that some greater good will be served.  This act is, nevertheless, a criminal one, and the good hero is still responsible for it, even if he is totally unaware of its criminality and is acting out of the best intentions. 

                3.  The hero’s downfall, therefore, is his own fault, the result of his own free choice—not the result of pure accident or villainy or some overriding malignant fate.  Accident, villainy, or fate may contribute to the downfall but only as cooperating agents: they are not alone responsible.  The combination of the hero’s greatness and his responsibility for his own downfall is what entitles us to describe his downfall as tragic rather than as merely pathetic.              

4.  Nevertheless, the hero’s misfortune is not wholly deserved.  The punishment exceeds the crime. 

                5.  Yet the tragic fall is not pure loss.  Though it may result in the protagonist’s death, it involves, before his death, some increase in awareness, some gain in self-knowledge—as Aristotle puts it, some “discovery”—a change from ignorance to knowledge. 

                6.  Though it arouses solemn emotions—pity and fear, says Aristotle, but compassion and awe might be better terms—tragedy, when well performed does not leave its audience in a state of depression.  _____________________________________________________________________________

 

*The summary retains Aristotle’s reference to the tragic protagonist in masculine terms.  However, the definitions apply equally to female protagonists such as Sophocles’s Antigone and Shakespeare’s Cleopatra.


1 Source:  Arp, Thomas R., and Greg Johnson.  Perrine’s Literature: Structure, Sound, and Sense.  Ninth edition.         New York: Thomson Wadsworth, 2006.

 

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“Epic: A long narrative poem in elevated style presenting characters of high position in a series of adventures which form an organic whole through their relation to a central figure of heroic proportions and through their development of episodes important to the history of a nation or race” (Holman 161).

 

 

Hugh C. Holman’s A Handbook to Literature (4th edition) presents six “common characteristics” relating to the epic:

 

1.             the hero is a figure of imposing stature, of national or international importance, and of great historical or legendary significance

 

2.             the setting is vast in scope, covering great nations, the world, or the universe

 

3.             the action consists of deeds of great valor or requiring superhuman courage

 

4.             supernatural forces—gods, angels, and demons—interest themselves in the action and intervene from time to time

 

5.             a style of sustained elevation and grand simplicity is used

 

6.                    the epic poet recounts the deeds of the heroes with objectivity

 

 

As you review: Consider how The Epic of Gilgamesh and The Iliad fit the epic definition, how the characters and events offer clear examples of the elements of the definition.

 

 

 

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English I:        Week of 11/10-11/14/2008

 

B Day:            Mon. 11/10/08            Stories of the American West:  Bret Harte: “The Luck of Roaring Camp” and “The Outcasts of Poker Flat.”

 

A Day:            Tue. 11/11/08              Stories of the American West:  Bret Harte: “The Luck of Roaring Camp” and “The Outcasts of Poker Flat.”  In-class writing.  Begin Hombre film.

 

B Day:            Wed. 11/12/08            Stories of the American West:  Bret Harte: “The Luck of Roaring Camp” and “The Outcasts of Poker Flat.”  In-class writing.  Begin Hombre film.

 

A Day:            Thu. 11/13/08              Finish Hombre film.  Class discussion of Western genre and types and stereotypes in literature and film.

 

B Day:            Fri.  11/14/08              Finish Hombre film.  Class discussion of Western genre and stereotypes in literature and film.

 

 

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English II:  Week of 11/10-11/14/2008

 

A Day:            Tue. 11/11/08              Finish reading Book 9 of The Iliad.  Complete Study Questions for Book 9.  (My suggestion for answering the Book 9 questions: put them on computer so you may access them for your writing assignment relating to Book 9).  Complete finding examples of diction, syntax, and imagery in the excerpt from The Killer Angels.  (Find one clear example of each item, if possible.  Look carefully.  Be prepared to defend your examples.)

 

A Day:            Thu. 11/13/08              In-class writing assignment over Book 9 of The Iliad.  Turn in your Vocabulary workbook to be checked no later than today.

 

 

 

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English I:  Week of 11/03-11/07/2008

 

A Day:            Mon. 11/03/08:           Review for Test over The Adventures of Huckleberry Finn.

 

B Day:            Tue. 11/04/08:            Review for Test over The Adventures of Huckleberry Finn.

 

A Day:            Wed. 11/05/08:           Test over The Adventures of Huckleberry Finn.  Turn in Chapter Notes for Huckleberry Finn.

 

B Day:            Thu. 11/06/08:            Test over The Adventures of Huckleberry Finn.  Turn in Chapter Notes for Huckleberry Finn.

 

A Day:            Fri. 11/07/08:              Stories of the American West:  Bret Harte: “The Luck of Roaring Camp” and “The Outcasts of Poker Flat.”

 

 

 

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English II:  Week of 11/03-11/07/2008

 

A Day:            Mon. 11/03/08:           Test over Vocabulary Lessons 19-21 and Antigone Vocabulary.  Read Book VI of The Iliad.  Annotations and etymologies.  Class Discussion.  Turn in study questions for Book VI.

 

A Day:            Wed. 11/05/08:           The Iliad, Book I, Vocabulary Due.  Read Book IX of The Iliad.  Class Discussion.  Writing workshop.

 

A Day:            Fri. 11/07/08:              In-class essay over Book IX of The Iliad. 

 

 

 

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English I:        Week of 10/27-10/31/2008

 

B Day:            Mon. 10/27/08:           Reading quiz over The Adventures of Huckleberry Finn, Chapters 24-32.  In-class timed writing.

 

A Day:            Tue. 10/28/08:            Finish reading The Adventures of Huckleberry Finn, Chapters 33-Chapter the Last.  Class discussion.

 

B Day:            Wed. 10/29/08:           Finish reading The Adventures of Huckleberry Finn, Chapters 33-Chapter the Last.  Class discussion.

 

A Day:            Thu. 10/30/08:            Test: Vocabulary Lessons 4-6 and Emerson “Nature” Vocabulary.   Review for test over The Adventures of Huckleberry Finn.

 

B Day:            Fri. 10/31/08:              Test:   Vocabulary Lesson 4-6 and Emerson “Nature” Vocabulary.  Review for test over The Adventures of Huckleberry Finn. 

 

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English II:       Week of 10/27-10/31/08

 

A Day:            Tue. 10/28/08:            Read The Iliad, Book I.  Class discussion.

 

A Day:            Thu. 10/30/08:            Read The Iliad, Book VI.  Class discussion.  In-class writing.

 

 

 

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English I:        Week of 10/20-10/24//2008


A Day:            10/20/08:         Read through Chapter 32 of The Adventures of Huckleberry Finn.  Reading quiz over Chapters 24-32. 

 

B Day:            10/21/08:         Read through Chapter 32 of The Adventures of Huckleberry Finn.  Reading quiz over Chapters 24-32. 

 

A Day:            10/22/08:         Emerson Nature Vocabulary assignment due.  Vocabulary Lesson 6 and Emerson Vocabulary quiz.  Read Chapters 32-Chapter the Last of The Adventures of Huckleberry Finn.  In-class writing.

 

B Day:            10/23/08:         Emerson Nature Vocabulary assignment due.  Vocabulary Lesson 6 and Emerson Vocabulary quiz.  Read Chapters 32-Chapter the Last of The Adventures of Huckleberry Finn.  In-class writing.

 

A Day:            10/24/08:         Discuss ending of The Adventures of Huckleberry Finn.  Review for test.

 

 

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English II:       Week of 10/20-10/24/2008

 

A Day:            You are to find advertisements from print, color media: one that primarily emphasizes ethos, one that primarily emphasizes pathos, one that primarily emphasizes logos.  Using the handout from 10/16/08 class, study and prepare an analytical presentation for class (spoken, with notes if you need them) of how the ads you have found demonstrate the rhetorical appeals.  In-class analysis of rhetorical appeals in speech from Antigone.  Review for Antigone test.

 

A Day:            Antigone test.

 

A Day:            Vocabulary Lesson 21 and Antigone vocabulary quiz.  Begin The Iliad. 

 

 

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English I:        Week of 10/14-10/17/2008

 

 

A Day:            Tuesday, 10/14/08:                 Read Chapters 11-23 in The Adventures of Huckleberry Finn.  Quiz over reading.  Class discussion of chapters, led by students, following guidelines discussed in class relating to Chapter Notes. 

 

B Day:            Wednesday, 10/15/08:           Read Chapters 11-23 in The Adventures of Huckleberry Finn.  Quiz over reading.  Class discussion of chapters, led by students, following guidelines relating to Chapter Notes handout (discussed in class). 

 

A Day:            Thursday, 10/16/08:               Read Chapters 24-32 in The Adventures of Huckleberry Finn.  Quiz over reading.  Class discussion of chapters, led by students, following guidelines relating to Chapter Notes handout (discussed in class).  In-class timed writing.  Emerson Nature Vocabulary due.

 

B Day:            Friday, 10/17/08:                    Read Chapters 24-32 in The Adventures of Huckleberry Finn.  Quiz over reading.  Class discussion of chapters, led by students, following guidelines relating to Chapter Notes handout (discussed in class).  In-class timed writing.  Emerson Nature Vocabulary due.

 

 

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English II:       Week of 10/14-10/17/2008

 

A Day:            10/14/08:         Read pages 102-128 in Antigone (to the end of the play).  Discussion of study questions for Antigone.  Turn in Antigone persuasive essay homework.   

 

 

A Day:            10/16/08:         Antigone Vocabulary.  Review for Antigone test.

 

 

 

 

 

English I:        Week of 10/06-10/10/08

 

A Day:            10/06/08:         Turn in at the beginning of class Emily Dickinson poetry “FRACTIONS” assignment and 1-paragraph response to Emerson’s Chapter I of Nature.  Instructions for the “FRACTIONS” assignment are on the first page of the handout that includes the Dickinson poems.  Here are the instructions (given in class) to the Emerson written response paragraph:  Read Emerson’s Nature Chapter I.  Write a one-paragraph response to Emerson chapter, with assertion, 2 examples from text, 2 explanation sentences for each example, and concluding sentence.  Assertion answers question: Why, according to Emerson, is it important to “connect” with nature?  Read Chapters 1-10 in Adventures of Huckleberry Finn. 

 

                        10/07/08:         PARENT/ADVISOR CONFERENCES

 

B Day:            10/08/08:         Turn in at the beginning of class Emily Dickinson poetry “FRACTIONS” assignment and 1-paragraph response to Emerson’s Chapter I of Nature.  Instructions for the “FRACTIONS” assignment are on the first page of the handout that includes the Dickinson poems.  Here are the instructions (given in class) to the Emerson written response paragraph:  Read Emerson’s Nature Chapter I.  Write a one-paragraph response to Emerson chapter, with assertion, 2 examples from text, 2 explanation sentences for each example, and concluding sentence.  Assertion answers question: Why, according to Emerson, is it important to “connect” with nature?  Read Chapters 1-10 in Adventures of Huckleberry Finn.  In-class discussion of Romanticism, Realism, and Regionalism.

 

A Day:            10/09/08:         Quiz over Vocabulary Lesson 5.  Read Chapters 11-20 in Adventures of Huckleberry Finn.  In-class discussion of Romanticism, Realism, and Regionalism. 

 

B Day:            10/10/08:         Quiz over Vocabulary Lesson 5.  Read Chapters 11-20 in Adventures of Huckleberry Finn.  In-class discussion of Romanticism, Realism, and Regionalism.

 

 

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English II:       Week of 10/06-10/10/08

 

A Day:            10/06/08:         Read pages 76-101 in Antigone.  In-class timed writing: Topic TBA.  Discussion of study questions for assigned pages in Antigone. 

 

A Day:            10/09/08:         Vocabulary Lesson 20 quiz.  Read pages 102-128 in Antigone (to the end of the play).  Discussion of study questions for assigned pages in Antigone.  In-class timed writing: Topic TBA. 

 

 

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English I:        Week of 09/29-10/3/08

 

REVISION:  Wednesday, 10/01/08:  All classes:  Quiz over Lesson 4 Vocabulary and “Out of the Cradle Endlessly Rocking,”  Thursday, 10/02/08, or Friday, 10/03/08, depending on when your class meets. 

 

B Day afternoon class (B7) only   For Friday, 10/03/08:  HW:  Read Emerson’s Nature Chapter I.  Write a one paragraph response to Emerson chapter, with assertion, 2 examples from text, 2 explanation sentences for each example, and concluding sentence.  Assertion answers question: Why, according to Emerson, is it important to “connect” with nature?  (Other classes will work on this in class, Thursday, 10/02/08, or Friday, 10/03/08, depending on when your class meets).

 

 

B Day:            09/29/08:         Read Walt Whitman’s “Out of the Cradle Endlessly Rocking”; complete the vocabulary assignment connected with the poem.  Turn in assignment at the beginning of class.  In-class discussion of Walt Whitman and Emily Dickinson poems. 

 

A Day:            09/30/08:         Read Walt Whitman’s “Out of the Cradle Endlessly Rocking”; complete the vocabulary assignment connected with the poem.  Turn in assignment at the beginning of class.  In-class discussion of Walt Whitman and Emily Dickinson poems.

 

B Day:            10/01/08:         Lesson 4 vocabulary and Whitman “Cradle” vocabulary quiz.  In-class discussion of Walt Whitman and Emily Dickinson poems.  Writing workshop.  Bring your copy of Adventures of Huckleberry Finn to class.

 

A Day:            10/02/08:         Lesson 4 vocabulary and Whitman “Cradle” vocabulary quiz.  In-class discussion of Walt Whitman and Emily Dickinson poems.  Writing workshop.  Bring your copy of Adventures of Huckleberry Finn to class.

 

B Day:            10/03/08:         Lesson 5 vocabulary quiz and Dickinson poetry vocabulary quiz.  Begin Adventures of Huckleberry Finn (pages TBA in class at beginning of the week).       

 

 

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English II:       Week of 09/29-10/03/08

 

A Day:            09/30/08:         Vocabulary Lesson 19 quiz.  Read “Antigone” Introduction (pp. 35-53 in The Three Theban Plays).  In-class discussion.  In-class reading of pp. 59-75 (bring your best dramatic voices!).

 

A Day:            10/02/08:         Read before class pp. 76-101.  In-class discussion. 

 

 

 

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English I:  Week of 09/22-09/26/08

 

A Day:            09/22/08:         Bring to class a draft of your Of Mice and Men thematic essay that is “as close to possible to a final draft.”  We will talk about Introduction and Concluding paragraphs as well as final draft format details, heading, headers, MLA documentation, etc.  You must have a paper copy of your essay with you for class to receive credit for the “Process” grade on the essay to count for full credit.  We will work on finishing the thematic essay. 

 

The final draft of the Of Mice and Men essay is due to turnitin.com no later than 11:59 PM (CDT) Tuesday, September 23, 2008.  You must turn in a paper “hard copy” to me, hand to hand, during the day on Wednesday, September 24, 2008, regardless of whether your class meets that day or not, to be given full credit for turning in the essay on time. 

 

B Day:            09/23/08:         Bring to class a draft of your Of Mice and Men thematic essay that is “as close to possible to a final draft.”  We will talk about Introduction and Concluding paragraphs as well as final draft format details, heading, headers, MLA documentation, etc.  You must have a paper copy of your essay with you for class to receive credit for the “Process” grade on the essay to count for full credit.  We will work on finishing the thematic essay. 

 

The final draft of the Of Mice and Men thematic essay is due to turnitin.com no later than 11:59 PM (CDT) Tuesday, September 23, 2008.  You must turn in a paper “hard copy” to me, hand to hand, during the day on Wednesday, September 24, 2008, regardless of whether your class meets that day or not, to be given full credit for turning in the essay on time.  This is true for B Day classes as well as A Day class.

 

Vocabulary Test over Lessons 1-3 and Of Mice and Men vocabulary.  Of Mice and Men vocabulary assignment is due prior to taking the test. 

 

A Day:            09/24/08:         Turn in final draft of thematic essay over Of Mice and Men at the beginning of class.  Vocabulary Test over Lessons 1-3 and Of Mice and Men vocabulary.  In class readings of works by Lincoln, Whitman, Dickinson (handouts given in class). 

 

B Day:            09/25/08:         In class readings of works by Lincoln, Whitman, Dickinson (handouts given in class).

 

A Day:            09/26/08:         Readings and discussion of works by Lincoln, Whitman, Dickinson. In class timed writing.

 

 

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English II:       Week of 09/22-09/26/08

 

A Day:            09/22/08:         Practice PLAN test for first half hour of class time.  Finish discussion of “Mythology” handouts.  Be certain to bring to class your own text of The Three Theban Plays, translated by Robert Fagles (Penguin Classics ISBN # 0-14-044425-4). 

 

A Day:            09/24/08:         Quiz over “Mythology” handouts.  Read and discuss “Greece and the Theater” (pp. 13-30 in The Three Theban Plays) in class.  Begin discussion of Greek theater and Antigone.

 

A Day:            09/26/08          Continue discussion of “Greece and the Theater” (pp. 13-30 in The Three Theban Plays). 

 

 

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English I:        Week of 09/15-09/19/08

           

Wednesday 09/17/2008:  NOTE TO ALL ENGLISH I STUDENTS:  The English I Vocabulary test over Vocabulary Lessons 1-3 and Of Mice and Men vocabulary has been rescheduled for next week, Tue. and Wed.  Please spread the word.  Thanks.  John Adcox

 

 

English I:        Week of 09/15-09/19/08

 

                        9th Graders:  Be certain to e-mail your assignment to me before you go on the retreat.  If you cannot e-mail it as a Word attachment, bring a print copy to me on Sunday morning:  I will be going on the retreat with you.  Here is the handout: 

 

English I Homework: Examples and Explanations for Your Essay.

Choose the 4 “best” of your 10 assertions that relate to your thesis for the essay on Of Mice and Men. 

Each assertion should have (at least) one example from the text. 

Identify and list where these 4 examples are found in the novel.  Identify page, paragraph, speaker, etc.

Write out paragraphs for 2 of these 4 examples, discussing each example with sufficient explanations.  These paragraphs will read something very much like body paragraphs of an essay.  In each of the two paragraphs you should do the following:

first, state the assertion,

then include the example (paraphrase and/or quoting),

provide page number in parentheses at the end of the example. 

Write your explanation, briefly explaining the context of the example within the novel, then explaining how the example helps your reader understand the assertion, and                        then explaining how the example connects not only to the assertion but also to the thesis. 

(A “sufficient explanation” for your example will include at least the above items).

Put the proper MLA heading at the upper left corner of the document.  Look at p. 408 in A Writer’s Reference for an example of this heading.

If you have questions regarding this assignment, please see me before the end of the day on Friday, September 12, 2008. 

E-mail this homework to me at jadcox@parishepiscopal.org as a Word document before we leave for the retreat on Sunday, Sept. 14, 2008. 

 

 

09/15/08:         B Day Class:  Freshman Retreat.  Enjoy!

 

09/16/08:         A Day Class:  Freshman Retreat.  Enjoy!

 

09/17/08:         B Day Class: In-class work on outline and final draft of essay for Of Mice and Men.

 

09/18/08:         A Day Class:  Vocabulary Test # 1:  Vocabulary Lessons 1-3 and Of Mice and Men vocabulary.  Of Mice and Men vocabulary assignment due at the time of the test.  In-class work on outline and final draft of essay for Of Mice and Men.

 

09/19/08:         B Day Class:  Vocabulary Test # 1:  Vocabulary Lessons 1-3 and Of Mice and Men vocabulary.  Of Mice and Men vocabulary assignment due at the time of the test.  In-class work on outline and final draft of essay for Of Mice and Men.

 

 

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English II:       Week of 09/15-09/19/08

 

09/16/08:         A Day Class:  Vocabulary Test # 1:  Vocabulary Lesson 16-18 and Gilgamesh vocabulary.  Gilgamesh vocabulary assignment due at the time of the test.  In-class work on Greek and Roman gods and goddesses (handout given in class). 

 

09/18/08:         A Day Class:  Discuss Greek and Roman gods and goddesses.  In-class writing workshop. 

 

 

 

 

 

English I:        Week of 09/08/08-09/12/08

 

09/08/08:         A Day Class:  Quiz over Vocabulary Lesson 2 and Of Mice and Men, sections 3& 4.  Write ten assertions relating to the thesis sentence you’ve revised for your thematic paper on Of Mice and Men.  Use the “spine” model we talked about in class: thesis = spine of your essay; assertions = skeletal frame.

 

09/09/08:         B Day Class:  Quiz over Vocabulary Lesson 2 and Of Mice and Men, sections 3& 4.  Write ten assertions relating to the thesis sentence you’ve revised for your thematic paper on Of Mice and Men.  Use the “spine” model we talked about in class: thesis = spine of your essay; assertions = skeletal frame.

 

09/10/08:         A Day Class:  Quiz over Vocabulary Lesson 3 and Of Mice and Men, sections 5 & 6.  Work on Of Mice and Men thematic essay in class: Examples and Explanations.

 

09/11/08:         B Day Class:  Quiz over Vocabulary Lesson 3 and Of Mice and Men, sections 5 & 6.  Work on Of Mice of Men thematic essay in class: Examples and Explanations.

 

09/12/08:         A Day Class:  Writing workshop and conferences over thematic essay on Of Mice and Men.

 

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English II:       Week of 09/08-09/12/08

 

09/08/08:         Quiz over Vocabulary Lesson 17 and Gilgamesh vocabulary.  Discuss Gilgamesh and archetypes. 

 

09/10/08:         REVISED:     Quiz over Vocabulary 17, 18 (you already have these items), and last two sections of Gilgamesh vocabulary.  Re-read Chapter 2: “The Forest Journey”: pp. 70-84 before class time.  Discussion over this chapter.  In-class timed writing. 

 

ORIGINAL:   Quiz over Vocabulary Lesson 18 and Gilgamesh vocabulary.  Continue discussion of Gilgamesh and archetypes.  In-class timed writing.

 

09/12/08:         REVISED:     Test over The Epic of Gilgamesh.  Return Gilgamesh summer reading quiz prior to taking test.  Vocabulary assignment for Gilgamesh due NEXT WEEK, on the day of the Vocabulary Test (Date TBA).

 

ORIGINAL:   Test over The Epic of Gilgamesh.  Vocabulary assignment for Gilgamesh due.  Return Gilgamesh summer reading quiz prior to taking test. 

 

 

 

 

English I:  Week of 09/02-09/05/2008

 

09/02/08:         A Day Class:  Bring Of Mice and Men (OMM).  Bring Vocabulary book; read over Lesson 1 to get a sense of what the lessons in this book are like.  Bring A Writer’s Reference (Hacker).  Write 3 Thesis Statements with Subject + “Take” on OMM.  Each thesis statement should be about a different subject and with a different “take.”  In other words, do not write 3 variations on the subject of “Friendship,” for instance).

 

09/03/08:         B Day Classes:  Bring Of Mice and Men (OMM).  Bring Vocabulary book; read over Lesson 1 to get a sense of what the lessons in this book are like.  Bring A Writer’s Reference (Hacker).  Write 3 Thesis Statements with Subject + “Take” on OMM.  Each thesis statement should be about a different subject and with a different “take.”  In other words, do not write 3 variations on the subject of “Friendship,” for instance).

 

09/04/08:         A Day Class:  Lesson 1 and OMM Vocabulary Quiz (I will give you the OMM Vocabulary at this week’s first class meeting).  In-class writing workshop on thesis statement and them for OMM essay.

 

09/05/08:         B Day Classes:  Lesson 1 and OMM Vocabulary Quiz (I will give you the OMM Vocabulary at this week’s first class meeting).  In-class writing workshop on thesis statement and them for OMM essay.

 

 

English II:       Week of 09/02-09/05/08

 

09/02/08:         Bring The Epic of Gilgamesh to class.  Read section from Gilgamesh Introduction before class time and answer questions for the section you were given at the last class meeting.  Be prepared as a group (assigned last class time) to present answers for your section to the rest of the class.  Study Vocabulary Lesson 16.  Study Gilgamesh vocabulary (handed out last class).  Class discussion over Gilgamesh.

 

09/04/08:         Quiz over Vocabulary Lesson 16 and Gilgamesh vocabulary.  Turn in Gilgamesh vocabulary assignment (handed out on 08/28/08).  Continue Gilgamesh discussion.  Writing workshop.

 

 

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